Showing posts with label political thriller. Show all posts
Showing posts with label political thriller. Show all posts

Sunday, March 28, 2010

Green Zone, 2010 - Paul Greengrass

Stylishly consistent with Greengrass's earlier efforts, Green Zone misses in message and content. I was very surprised that this was his next film after his last. Considering other fictions to come from Iraq, GZ comes off as the weakest. One can't even make the case that what populates GZ is a mish mash of unused segments from the Bourne films. It's more like he gave Jason Bourne his memory back, and rehashed a bunch of Bourne moments, setting them in a fictional story inspired by true events. Therefore all the intended surprises(?) were the stuff we'd all seen play out on the evening news. This film offers nothing new for all involved. The story had the typical trappings, mcguffins, and characters you'd expect from a lesser filmmaker. Who was this film made for? The two people that have been living under a rock for the last seven years that need to see the deceptions of the Iraq War in a dramatized form? In a career that up till now was on a trajectory for teflon status, this film is a big step backward for Greengrass. I kept hoping this film would go into some more surprising territory, instead it simply played out like a very standard actioner.  The question I kept asking was, "Why Greengrass, why?"
This film was viewed at The Tribeca Cinemas, Manhattan

Saturday, March 27, 2010

Z, 1969 - Costa Gavras

No I'm not working through a list of one letter movie titles (see my earlier post for M by Fritz Lang). Costa Gavras' political indictment of a fascist government, turning a blind eye at violence against a communist movement, is both gripping and damning. I found this film to be engaging, also I must note that for the time, this film was quite the groundbreaker. The film starts with things already bubbling and doesn't let up. There are a few stereotypically European stylistic choices that, I don't know if I care for. The constant use of off camera dialogue made it feel clinical, and a bit stale, slowing down the momentum at points. The soundtrack (Foley, sound effects) was very sparse, even lacking in areas, leading me to think perhaps such an ambitious film was barely able to be made. Perhaps the filmmakers were working under the gun so to speak. Nervous studio threatening to pull out if it goes over budget? That's just a guess. I am looking past these small stylistic qualms in view of Mr. Gavras' brilliant overall aesthetic. 
What the film delivers on is a scathing look at the behind the scenes goings on of political manipulation, in a very forward looking style. A must see for anyone interested in such things. This film is especially relevant given the times, we live in.
This film was seen through Netflix Streaming of the Criterion version.